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Famuyiwa keeps things entertaining while still posing hard-hitting questions to the characters and audience. Set in 1973 at the height of the Cold War, the film turns on the suspicion that a double agent has infiltrated Britain’s Secret Intelligence Service (SIS), a.k.a. Shortly after a botched operation to ferret out the mole ends his career, Control (John Hurt) dies, leaving his investigation in the hands of retired operative George Smiley (Gary Oldman).Dope’s infectious energy, and Famuyiwa’s tendency to throw genre and stereotypes to the wind, is refreshing. With grayed blond hair and owlish glasses, Oldman disappears into his role, not only physically but behaviorally.Smiley is a still man, watching and waiting, while his mind whirs, processing and analyzing years’ worth of data, information and memories.—Annlee Ellingson Hot producer-star Channing Tatum draws from his personal history for this raucous comedy-drama set in Tampa’s Xquisite Male Dance Revue.Tatum worked as a stripper for eight months early in his career, and if Magic Mike is any indication, it was a good time for both the ladies and the performers—the movie certainly is.The road-trip that follows is the sweet, earnest heart of the film—reconnecting with his son as he reconnects with a passion for food.A sing-songy, pleasant, dangerously deluded man who believed his beloved grizzly companions knew and trusted him, Treadwell, over the course of 13 summers spent in Alaskan national parks, approached bears with both a religious reverence and folksy casualness—the latter of which arguably cost him his life.
Except for a by-the-book opening segment, in which director Barbara Kopple seems to grind through all of her blandest tendencies to make room for the grist of what’s important, the film filters Jones’s life and career through her illness.—but it does offer a fascinating once-over of the internet’s glories and dangers, extolling its ability to connect people while at the same time worrying about its toxic skill at alienating us from each other and our true selves.It’s telling that Lo and Behold is a film in which Herzog doesn’t insert himself too much into the story: He’d prefer to have his cornucopia of guests guide the movie’s talking points.But Magic Mike would hardly be as magical without Tatum, whose good looks, athletic physicality, easygoing charm and heart-on-his-sleeve sincerity are as seductive to moviegoers as to the women he dances for on-screen.—Annlee Ellingson took a break between the 3 million dollar Cowboys & Aliens and Disney’s live-action remake of The Jungle Book to write, direct and star in a small indie comedy-drama about a celebrated chef rediscovering his love for food.When the owner of his restaurant (Dustin Hoffman) won’t let him experiment in the kitchen and his social-media ignorance leads to a very public feud with a food critic (Oliver Platt), he quits and buys a food truck.